Reviews

Although philosophically flawed and at times repetitive and anecdotal, The God Delusion presents interesting arguments against God and religion and generally in favor of a worldview informed by science.

Although fraudsters certainly exist on Wall Street, the vast majority of traders are honest, value driven, and focused on innovating and creating wealth.

Steele clarifies key issues in the discussion on race, showing how leftists grabbed power by claiming the moral high ground, despite their abysmal disregard for those whose lives are destroyed by their policies.

I just wanted to send a note expressing my appreciation of the book/film/TV reviews that you publish periodically. Over the past few weeks, I have been watching Anne with an “E”, but I would never even have heard of it if not for the review published in TOS.

Creating Christ provides a trove of unprecedented insights about the genesis of the modern world’s most popular religion. All interested in Christianity’s provenance would do well to read this boldly original book.

Louis Menand is a writer of great gifts, whose 2000 book The Metaphysical Club is a masterpiece of intellectual history. Unfortunately, The Free World: Art and Thought in the Cold War fails to recapture the magic. That’s partly because despite its bulk—880 pages—it’s curiously incomplete.

WandaVision makes the viewer think while also providing a feast of artistic detail and a gripping mystery story. It’s a rare gem in today’s television landscape.

The sealing of the Magna Carta in 1215 was a major turning point in world history. In the 2017 two-part documentary Secrets of the Magna Carta, writer Martin Durkin sets out to tell the story of this incredible document and its legacy.

Cheerful songs, witty writing, benevolent humor, and contagious optimism make Phineas and Ferb a great work of soul-fueling art, not only for children but for adults as well. Its brilliant optimism and reality-first approach make every episode a delight.

Oedipus the King has been considered a masterpiece for two and a half millennia. No less a luminary than Aristotle called it the ideal tragedy. But today’s readers are often disturbed by its apparent injustice. How is it fair that the gods consign Oedipus—a genuine hero who strives to avoid committing the sins for which he is damned—to such an awful fate?