Reviews

In Soul Celebrations and Spiritual Snacks, York draws our attention to two areas where many could benefit from focusing more and more regularly: the deep need for ongoing spiritual renewal—and numerous specific means by which to attain it.

Unfortunately, Hocus Pocus 2 (2022) features only the trappings of the original, with watered-down characters, a weak plot, and no moral message.

“Who sets the tone of a culture?,” asked Ayn Rand. “A small handful of men: the philosophers.” According to Robert Tracinski, many of Rand’s followers have taken this to mean that efforts toward a better future should focus on university humanities departments. But, in his latest book, Tracinski argues that this is only part of the story.

Elliot Ackerman’s The Fifth Act may be the first great book about the Afghanistan war. It uses the nauseating surrender of the United States to the Taliban in 2021 as a point of departure for a series of reflections on the irrationality with which the war was waged and the consequences of that irrationality for American culture.

As a philosopher and energy expert, Epstein evaluates the methods employed by today’s opponents of fossil fuels, identifies their unstated assumptions, and penetrates to the core of this vital issue.

Robert Pierce Forbes’s painstaking research into the writing and revision of Notes on the State of Virginia is impressive and valuable. But his conjectures about Thomas Jefferson’s goals in writing those portions of the book that still stain the great man’s reputation only perpetuate the mysteries.

Brazen, the story of how Julia Haart became an independent-minded, life-loving woman, is a welcome reminder of how rich and beautiful the world is—and why everyone should be free to enjoy it.

Racism is premised on the false and immoral idea that people’s minds are functions of their ancestry and, consequently, that a person’s accomplishments are less morally relevant than the color of his skin. But George Mason University law professor David E. Bernstein shows in Classified that racism contains still another layer of incoherence.

Despite some faults, Straight Line Crazy does an excellent job of bringing to modern audiences the harsh reality of how governments, even in wealthy, developed countries, can ride roughshod over people’s rights, rich and poor alike.

By giving us doorways into a wider world of art and ideas—and doing so without the backing of any major publishing houses—Luc Travers and Sandra Shaw have not only done us all a great service but have testified to the enormous value of art in all our lives.